The Choral Odes in Oedipus The King

following(a) the structure of most emites in ancient Greek plays, Sophocles uses the chorus in Oedipus the queer in dynamic ways by interacting with characters in blastoffs, providing an alter self for the author and a part for the citizens of Thebes. In Oedipus the King, the chorus is characterized by lengthy and foreboding odes that ornament themes in the play; veneration for the gods, tenuous nature of mans stack and happiness, and the theme of blindness vs. panorama and knowledge. Sophocles utilizes the choral odes to reflect actions of the characters and incline the audiences emotions.\n time the parodos describes the suffering of Thebes from the plague, underlining the ode is the tension and bane of the evil to come. I am stretched on the rack of doubt, and terror and trembling hold my heart. (154-155). The gloomy, barren language of the first ode is in contrast to the hopeful give-and-take Creon has brought Thebes. He has returned from the Oracle of Delphi with the password that in order to repair the city from the plague, the murderer of King Laius must be banished. The discussion should relieve the town, however, it only deepens the pessimistic view of the Chorus. My heart, O Delian Healer, and I worship full of fears for what excoriate you go out bring to pass, reinvigorated or renewed in the revolving years. (155-157). Sophocles is signaling to the audience that the cure, the ban of the murderer of King Laius, will bring more agonies to Thebes.\n non only does the parodos set the delirious state for the audience, but it as well foreshadows the actions of Oedipus. In the second to expire stanza of the ode, the chorus prays to the gods: deny the quaint safe anchorage. Whatsoever escapes the wickedness at last the brightness of day revisits; so vanquish him, Father Zeus, beneath your bolt (196-200). The chorus is quick to lack evil upon the guilty party, which foreshadows the sarcasm when Oedipus in the next scene says, Upon the murderer I energize thi...